Blogging since 1998. By David Wertheimer

Category: Observed (Page 7 of 24)

Disconnection

Dave Pell:

I worry that this pervasive and seamless socialization can ooze into our personal relationships and potentially dilute the value of friendship as well. If I order two copies of photos of my kids so I can send some to you, that is one manifestation of my affection; I “like” you. If I email you those same photos, it’s less effort for me, but the meaning is similar. But what if I share those same photos on a public blog or with a few hundred folks on Facebook? Hasn’t that very personal connection between you and me been watered down?

An old friend called me on Saturday.
“How have you been?” I asked.
“Good, good, just on my way to the supermarket, my 10 minutes of quiet now that the baby’s home.”
“The baby?”
“Yeah, she was born two weeks ago.”
“She was? Congrats! I had no idea.”
“I posted it on Facebook, didn’t you see it? That was basically my one communication to the outside world.”
Not long ago big news was delivered via telephone. Then, for a while, email moved in. Now we’re onto notifications, posted to third-party locations on the assumption that everyone of consequence is dialed into them. What’s the next step? How much between now and then might we miss?

The latest in spamming

Blog comment spam has gotten direct and chatty lately, to the point where I’ve had to read things twice to verify whether or not the content is real. Some of it is obvious, like opinions unrelated to the blog post referenced, but even the idea of sharing opinions is a new twist.
At the risk of encouraging more of it, I thought I’d share Saturday’s comment spam contents here, for those who haven’t seen the likes of it, unedited:

Refreshing site. My co-workers and I were just talking about this the other evening. Also your blog looks great on my old sidekick. Now thats uncommon. Keep it up.
I really enjoyed this article, can I copy a paragraph to a new site that I’m building? I’ll add a link back to this page and credit you with being the author of course.
Thank you for your great post. I also must say that your blog design is top notch. Keep up the great work.
I did a search on the topic and found most people agree with your blog.

Unfortunately, all this does (as with most spam) is waste my time. I’ve resorted to googling the names, email addresses and/or URLs of my commenters to ensure validity before posting. Ah, what next?

Office neighbors I have known

One of the more random occurrences in adult life is discovering the company one keeps in one’s office building. Companies rent space, and the neighbors can be all sorts of interesting.

I haven’t had all that many exciting office situations over the years, but a few stand out.

1. Viacom. Specifically, MTV, in the Viacom building when I worked in the Viacom building (also in the music industry). Working for a medium-size company in the headquarters of a huge company was all right, because it meant we could sneak into the huge company’s cafeteria and get subsidized cheeseburgers with curly fries and eat on a swanky roof terrace in the middle of Times Square. And I worked at 1515 Broadway during the height of TRL’s run, so we could hear screaming crowds daily at 3 p.m. For all the noise, though, the MTV crews were surprisingly unintrusive.

2. XM Radio, which had half a floor in The Economist’s headquarters when I worked on Economist.com. Having left Billboard to go to The Economist, I was pleased to find myself down the hall from a radio network, and I even auditioned for a job on their alternative radio station. (The program director called me decent but unpolished.) In 2002, XM was where smart, cool, fringe-of-the-industry types worked, so I got to meet folks like Pat Dinizio from time to time. And, of course, Gene Simmons.

3. Butterfly Salon. My current job is on the same floor as a beauty parlor, which means my colleagues and I are subject to any of the following on a given afternoon: lots of strangers on our floor. Embarrassingly dirty bathrooms, often covered in fresh cut hair. Pretty, standoffish young stylists. Chemical smells from permanent wave treatments. Then again, we have a standing discount at the salon, and they periodically ask us for models who get free haircuts and highlights, so it’s not all bad. Our CCO has a standing offer from me that for the right price I’ll volunteer and dye my hair black, but he hasn’t pulled the trigger yet.

An Incomplete List of Rock Stars I’ve Met in Unexpected Places

(And by unexpected, I mean no listing stuff like the time I had drinks with The Pursuit of Happiness at the bar at Mercury Lounge after their gig. That’s too easy.)

1. Gene Simmons, in the XM Radio studios in New York. Unexpected not for the location but for how I wound up hanging out with him. I think he had come in to do some promos. I worked down the hall so at the radio tech’s suggestion I stopped by for no particular reason. This was late-period dickwad Gene Simmons, not mid-period cool-as-fuck I-wish-I-were-in-Kiss Gene Simmons, so he was grouchy and bewigged and all sorts of imagination deflating, but still, Gene Simmons.

2. Ira Kaplan, selling his own band’s T-shirts before one of the Yo La Tengo Hanukkah gigs at Maxwell’s in Hoboken. I was all “hey, whoa, you’re Ira! from the band!” and he was all “well, yeah, I am.” We hung out for a minute or two, mostly because he was selling me a T-shirt.

3. My Sister’s Machine, at the Cheesequake rest stop on the Garden State Parkway at 3 in the morning after their gig opening for King’s X at Tradewinds down the Jersey shore, which I had just seen. They never made it, but I still recall the juxtaposition of a band in full metal mode, off stage, buying lukewarm fast food. And milk, if memory serves. We were all “hey, we just saw you! nice gig!” and they were all “yeah, um, we’re not here ok?”

4. Taj Mahal, at a summer camp, hanging out with a bunch of us CITs after he performed for the camp as a favor to the owner, who was a friend of his. This meeting forever changed how I listened to music and was reprised 18 years later, but those are stories for another day.

92nd Street

As I walk my dog this morning a man appears ten paces or so in front of me, walking a bit unevenly. He’s the kind of person who talks to anyone and anything, unafraid of confrontation or judgment. He reminds me of Chris Tucker.
Walking toward him, I can tell that he’s going to talk to me. (How do I know this? Because he is presently talking about the trash bags at 194 Riverside to, well, nobody.) Conversations with loopy strangers are not on my morning to-do list, but I sense he’s non-threatening. He is clean-shaven and decently dressed, with a keychain hanging off his waist, so I suspect he’s not homeless or a beggar. Then again, he’s slurring his speech at 8:30 in the morning, so one never knows.
He spies me and Charley and turns around. “Good morning!” he says with abundant cheer.
I decide to go with it. “Mornin’.”
“Walkin’ the dog, ah?”
“Yes I am.”
He turns away, says something I don’t hear, then spins back and approaches me.
“Hey, can I ask you a question? First of all, happy Thanksgiving to you and yours, and I wish you the happiest of holidays.”
Great, I think, here it comes. “Sorry, man, I’m not carrying anything.”
He pauses for a split-second, breaks into a huge grin, leans toward me, and continues:
“Can I borrow your dog?”

On trendiness

Nathan has this new coat for fall that Amy picked up somewhere. It’s a hip brand, and a nice coat, all corduroy and fleece and fluffy soft and cute in its big-people-style-little-people-size way.
Of course, distressed clothing is in these days, and Nate’s coat is skidded with white. On both sides of the front of the jacket, and covering most of the back, is a big, pale streak.
This, we’ve discovered, is the end limit for distressing clothes. Because while we know it’s intentional, other people think it’s, well, shmutzy. “Did Nate sit in paint?” is a line we’ve heard more than once. Concerned looks become a different kind of concern when we say, “No, that’s the style.”
Oh well. He’s warm and he’s still cute. But now I know why I’ve never wanted to buy jeans with a hole in the knee.
(As an aside, I love Rafe’s thoughts on modern aesthetics, which have stuck with me for a long time.)

Relativity

Me, listening to the Yankees-Angels game on Friday night: “Hear that guy’s name?”
Amy, complicit: “Yeah?”
“That’s ‘Shawn’ Figgins. Spelled C-H-O-N-E.”
“Really?”
“Yep.”
“What, is he related to Choire?”

Knowing your audience

The little coffee shop on West 21st Street has, dangling under its potato chip rack, a row of flip-flops.
I pointed to them today as I bought my pretzels. “Sell a lot of flip-flops?” I asked the owner, an affable woman who’s always manning the register.
“You know, we open sometimes on Saturday nights, when the weather’s cool,” she explained to me. “And all the clubs around here, they don’t let women in wearing flats. So all these girls come out after wearing their heels all night, and they say to me, ‘Do you have flip-flops? I’d pay anything for a pair of flip-flops!’
“So, we got some flip-flops. I know how they feel–I once spent $20 on flip-flops after a night like that. But they’re all college girls, you know? I don’t want to rip them off, so I just charge five dollars.”
Have your customers voiced unexpected needs to you? How are you solving their problems?
This is a cross-post from aiaio.

Headphones at the halfway point

My fifth headphone review went live on Boing Boing Gadgets Friday, marking the midpoint in the series I’m doing this summer. I’m penning 10 pieces covering 11 models from seven different manufacturers.

And what have I learned? More than I expected, some of it obvious, others less so:

  • Greatness is variable. Undoubtedly, almost all of the headphones I’m testing are great, in one way or another; the cheapest pair is a hundred fifty bucks, after all. But what defines greatness? To Etymotic, it’s pure reproduction of original sound; to Klipsch, it’s top-to-bottom balance; to Audio-Technica, it’s pumping abnormally strong bass through miniature devices; to JVC (coming next week), it’s replicating its audio style across product lines. More than once I’ve found myself thinking, really, who am I to judge?
  • MP3s truly are a crappy audio medium. Don’t get me wrong, I’m used to the sound, and I don’t deny progress. But the high quality of electronics in my possession exposes an MP3’s flaws and has me casting a skeptical eye on my iTunes library. Someday I’m going to switch to a 200GB iPod and a lossless audio format.
  • I’m a picky son of a gun. Etymotic has pure sound the likes of which I’ve never experienced. My wife swoons at the mere memory of listening to music through them. But I disliked the lack of low-end punch, which I noted, and which made my contact at Etymotic downright wistful. Maybe I should lighten up a bit.
  • But hey, I know what I like, which is a balanced output that brings warmth and resonance to music at low volume levels. While I remain impressed by it, I don’t need Etymotic’s hyper-clear output. Give me the Klipsch, thanks, with a side of Audio-Technica‘s mind-blowingly good noise isolation. Heck, I’d take the Audio-Technicas, too. I like bass. (I’m bringing them both on a business trip I’m about to take.)

This project has been a ton of fun, and I haven’t even written about the fancy models yet. My continued thanks go out to Rob Beschizza and Joel Johnson for giving me the platform.

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